Comments on: Morrison on Morrison http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/ Sat, 13 Mar 2010 20:03:00 +0000 http://wordpress.org/?v=abc hourly 1 By: Simo http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-1245 Simo Tue, 29 Sep 2009 01:16:26 +0000 http://www.artofthetitle.com/?p=380#comment-1245 I wonder if anyone knows if there is a possibility to make an intro sequence like Sweeney Todd in After Effects. I have a project for school and the main idea is making a scary film about the process of making coffee!!!! I am looking to create an establishment shot with fogs and winds and instead of blood ( am going to use drops of coffee :)). Thank you in advance for any help!!! Simo I wonder if anyone knows if there is a possibility to make an intro sequence like Sweeney Todd in After Effects. I have a project for school and the main idea is making a scary film about the process of making coffee!!!! I am looking to create an establishment shot with fogs and winds and instead of blood ( am going to use drops of coffee :) ). Thank you in advance for any help!!!

Simo

]]> By: Andy http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-377 Andy Sat, 13 Dec 2008 01:58:52 +0000 http://www.artofthetitle.com/?p=380#comment-377 The High Fidelity credits are fantastic until the Stevie Wonder song kicks in. It's so far from the wiseass, jumpy tone of the first bit -- it feels like the studio wanted it, to remind us it's really going to be a soft romantic comedy. Shame. The High Fidelity credits are fantastic until the Stevie Wonder song kicks in. It’s so far from the wiseass, jumpy tone of the first bit — it feels like the studio wanted it, to remind us it’s really going to be a soft romantic comedy. Shame.

]]> By: John http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-374 John Fri, 31 Oct 2008 19:35:39 +0000 http://www.artofthetitle.com/?p=380#comment-374 This may be totally off, but I was curious about the title sequence for The Dreamers...it reminds me a bit of Shirley Clarke's double-soundtracked 1959 Bridges Go-Round, both from its use of color and its treatment of architectural structure as abstraction. Coincidental? This may be totally off, but I was curious about the title sequence for The Dreamers…it reminds me a bit of Shirley Clarke’s double-soundtracked 1959 Bridges Go-Round, both from its use of color and its treatment of architectural structure as abstraction. Coincidental?

]]> By: MarksVFX http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-376 MarksVFX Mon, 20 Oct 2008 22:14:45 +0000 http://www.artofthetitle.com/?p=380#comment-376 I really enjoyed Vantage Point the most. Liked how it sets up the story, uses elements of foreshadowing and transitions into the film. I really enjoyed Vantage Point the most. Liked how it sets up the story, uses elements of foreshadowing and transitions into the film.

]]> By: gl http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-375 gl Mon, 20 Oct 2008 14:04:36 +0000 http://www.artofthetitle.com/?p=380#comment-375 Brilliant work. Thank you for taking the time to run through your process and thinking. -gl Brilliant work. Thank you for taking the time to run through your process and thinking.

-gl

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