Comments on: Morrison on Morrison http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/ Tue, 07 Feb 2012 21:00:00 +0000 hourly 1 http://wordpress.org/?v= By: Dean http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-5680 Dean Thu, 19 Jan 2012 17:22:00 +0000 http://www.artofthetitle.com/?p=380#comment-5680 Hi Andy, The clip you see is the main title comped to the end to show the front and back sequence together. If you see the film, you will realise that the main title is very short. The Stevie Wonder track runs through the end sequence. Hi Andy, The clip you see is the main title comped to the end to show the front and back sequence together. If you see the film, you will realise that the main title is very short. The Stevie Wonder track runs through the end sequence.

]]> By: Syr-Ivan Bennett http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-4001 Syr-Ivan Bennett Mon, 30 Aug 2010 04:42:27 +0000 http://www.artofthetitle.com/?p=380#comment-4001 Actually it's the opposite - If you've seen the movie - and I'm guessing you didn't (that's ok) you'd see that the two different sections are for the beginning and end of the film respectively. The Stevie Wonder son at the END of the film under scores the growth and development of John Cusacks character - from simple wise ass jerk - to someone who now realizes what he had lost in his relationship. Front to back the movie is excellent! Actually it’s the opposite – If you’ve seen the movie – and I’m guessing you didn’t (that’s ok) you’d see that the two different sections are for the beginning and end of the film respectively. The Stevie Wonder son at the END of the film under scores the growth and development of John Cusacks character – from simple wise ass jerk – to someone who now realizes what he had lost in his relationship. Front to back the movie is excellent!

]]> By: Simo http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-1245 Simo Tue, 29 Sep 2009 01:16:26 +0000 http://www.artofthetitle.com/?p=380#comment-1245 I wonder if anyone knows if there is a possibility to make an intro sequence like Sweeney Todd in After Effects. I have a project for school and the main idea is making a scary film about the process of making coffee!!!! I am looking to create an establishment shot with fogs and winds and instead of blood ( am going to use drops of coffee :)). Thank you in advance for any help!!! Simo I wonder if anyone knows if there is a possibility to make an intro sequence like Sweeney Todd in After Effects. I have a project for school and the main idea is making a scary film about the process of making coffee!!!! I am looking to create an establishment shot with fogs and winds and instead of blood ( am going to use drops of coffee :) ). Thank you in advance for any help!!!

Simo

]]> By: Andy http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-377 Andy Sat, 13 Dec 2008 01:58:52 +0000 http://www.artofthetitle.com/?p=380#comment-377 The High Fidelity credits are fantastic until the Stevie Wonder song kicks in. It's so far from the wiseass, jumpy tone of the first bit -- it feels like the studio wanted it, to remind us it's really going to be a soft romantic comedy. Shame. The High Fidelity credits are fantastic until the Stevie Wonder song kicks in. It’s so far from the wiseass, jumpy tone of the first bit — it feels like the studio wanted it, to remind us it’s really going to be a soft romantic comedy. Shame.

]]> By: John http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-374 John Fri, 31 Oct 2008 19:35:39 +0000 http://www.artofthetitle.com/?p=380#comment-374 This may be totally off, but I was curious about the title sequence for The Dreamers...it reminds me a bit of Shirley Clarke's double-soundtracked 1959 Bridges Go-Round, both from its use of color and its treatment of architectural structure as abstraction. Coincidental? This may be totally off, but I was curious about the title sequence for The Dreamers…it reminds me a bit of Shirley Clarke’s double-soundtracked 1959 Bridges Go-Round, both from its use of color and its treatment of architectural structure as abstraction. Coincidental?

]]> By: MarksVFX http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-376 MarksVFX Mon, 20 Oct 2008 22:14:45 +0000 http://www.artofthetitle.com/?p=380#comment-376 I really enjoyed Vantage Point the most. Liked how it sets up the story, uses elements of foreshadowing and transitions into the film. I really enjoyed Vantage Point the most. Liked how it sets up the story, uses elements of foreshadowing and transitions into the film.

]]> By: gl http://www.artofthetitle.com/2008/10/10/morrison-on-morrison/comment-page-1/#comment-375 gl Mon, 20 Oct 2008 14:04:36 +0000 http://www.artofthetitle.com/?p=380#comment-375 Brilliant work. Thank you for taking the time to run through your process and thinking. -gl Brilliant work. Thank you for taking the time to run through your process and thinking.

-gl

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