The Art of the Title Sequence

Coraline

Coraline contact sheet
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“Be careful what you wish for.”

With a descending doll all expectation is set aside at the start of author Neil Gaiman and director Henry Selick’s Coraline. Her punch-and-cut deconstruction is distressing; at her inversion you may feel a gastric tug. You may also dream of submissive needlepoint only to awake with new eyes.

To paraphrase the film’s series of alphabet posters, “‘C’ is for Coraline – brave little girl. Who unlocks the door to a whole different world.”

USA | 2009 | Color | 1.85:1 | English/Russian | DVD/Blu-ray

Extras

Image Extra iconCoraline Alphabet Posters – Click to Watch Slideshow

Coraline Alphabet Posters thumbstrip

CREDITS

Production Company: Laika

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Category: Film

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  • James Edmondson
    I agree with sfaustina. The animation seems so beautifully executed, so impossible, yet happening right before your eyes, but then the type comes on as a done-to-death overlay, and I feel like they blew it. The lettering that "Coraline" comes up in feels to be more in line with the feel of the animation. Boo for type, Yea for lettering.
  • Kinggzarf
    The final shot at the absolute conclusion remains the penultimate 3-D shot.
  • Sorry, not to be pedantic, but "penultimate" means the second to the last thing in a sequence. "The final shot at the absolute conclusion" would be the ultimate shot. But yes, very cool shot!
  • Ivan
    Great animation, and very creepy. The shot of the spindly fingers removing the first set of button eyes is truly disturbing!
  • Good one. Another 2009 movie have a very similar opening sequence, "9". Anyway, I think this one is better (and the movie too).
  • I love the sequence on this move but the credits/typography could of been better. Maybe a little more expressive.

    -s
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