The Art of the Title Sequence

Single Take Titles, Part 4: The POV Shot

With this Strange Days post, 10 years on and to the minute, we begin closing the curtains on our "Single Take Titles" series. If one of your favorites wasn't featured, please let us know what we missed.

In the comments readers have mentioned Goodfellas and Russian Ark. For the purposes of this series the latter film qualifies as its opening is uncut, though its actual titles fall on black before the shot begins. However, this beginning is quickly overshadowed by the incredible achievement of the entire film being shot as a single 96-minute Steadicam take.

There is something about the power of single take shots, Steadicam or otherwise, wherever they fall in a movie's timeline. In fact, we do intend to feature the single take scene that inspired this feature and it is not an opening sequence (but it is connected with one Martin Scorsese).

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Se7en

The now classic opening sequence that helped rejuvenate title design in mainstream cinema.

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