The Art of the Title Sequence

Fish + Mutual Friends

Fish contact sheet
Click to Watch SD
| iPod/iPhone

The visual concoction of ink intermingling with water brings boot heels, cigarette smoke and countless classifications of clouds in this title sequence for the dramatic BBC drama series Fish where “an idealistic lawyer specializes in industrial tribunals.”

From Craig Purkis at Liquid TV:

“This title sequence, to a BBC 1 prime time drama based in a law firm and centred around it’s main character Fish, played by Paul McCann, was specially shot 16mm and uses film of ink spiralling into water which was then composited against animating typography of the cast to create a simple, sophisticated and classic filmic sequence.”

It was made using pure undiluted ink in water. The movement comes from simply stirring the water in a cylindrical tank. It was shot on a fixed 16mm Bolex camera and telecined to digital format for grading and editing. The frame rate was a mixture – between 25 and 60 frames a second. It’s the luck of the draw which way the ink is going to go and how it spreads, but that’s the beauty. Simple and no need for fluid fx!

UK | 2000 | Color | 1.78:1 | English

Direct Link: 480p (QuickTime, 848×840, 16 MB, 00:48)

Mutal Friends contact sheet
Click to Watch SD
| Click to Watch HD | iPod/iPhone

From Craig Purkis at Liquid TV:

“A group of old friends whose lives are thrown into chaos when one of their group commits suicide.

Representing the characters of this BBC drama, playful orange and white dots dance about a stark black background interacting with each other and giving us a clue as to how these two spar their way through each others lives.

Despite it’s 2D appearance the sequence was animated in Maya not only to give the animator greater control of the characters and environment, but also to add fluidity and personality to the spheres. As the turn around time for the sequence was just a little longer than it takes to make a cup of tea, an added benefit of animating in Maya was that we could quickly render in HD.”

UK | 2008 | Color | 1.78:1 | English

Direct Link: 480p (QuickTime, 848×480, 3 MB, 00:37) + 720p (QuickTime, 1280×720, 5 MB, 00:37)

CREDITS

Creative Director: Asra Alikhan
Head of Design: Tim Varlow
Art Director: Victor Martinez
Head of Animation: Gabriel Edwards
Head of Marketing: Craig Purkis
Production Company: Liquid TV

Latest Updates via Twitter

Twitter Updates

    follow us on Twitter

    Advertising

    Interviews

    Gareth Smith on Up in the Air
    Krystian Morgan on The Thing³
    Johnny Kelly on Het Klokhuis
    ISO Design on A History of Scotland
    Danny Yount on Sherlock Holmes
    Gareth Edwards on How We Built Britain
    Yellowshed on Cloudy with a Chance of Meatballs
    Chic & Artistic on Dan Black's “Symphonies”
    Nirvan Mullick on Willard
    Sfaustina on Tetro
    Kevin Dart, Stephane Coedel and Cyrille Marchesseau on A Kiss From Tokyo
    Matteo Manzini on Chéri
    Jim Capobianco and Alexander Woo on WALL·E
    Edd Kargin on Novaya Zemlya
    David Daniels on Freaked
    Kyle Cooper on The Incredible Hulk
    Garson Yu on Hulk
    Zephyr on Wild Style
    Howard Nourmand on The Dog Problem
    Nina Paley on Sita Sings the Blues
    Stephane Coedel on The Amazing Adventures of Kid Cole & Klay
    Stefan Bucher on The Fall

    Features

    Search by Category

    Master Index

    © 2010 The Art of the Title Sequence. All other names and trademarks appearing on ArtoftheTitle.com are the property of their respective owners.