Aug 1, 2008
The Mummy: Tomb of the Dragon Emperor
What immediately comes to mind upon viewing these end titles as a stand alone consideration, is that there is great discipline in the master calligrapher's graceful yet contrasting Chinese brush strokes.
His magic carpet ride reminds one of Masaki Kobayashi's "Hoichi the Earless"; only here the Chinese characters -and Kanji, respectively- become life-taking daggers rather than a life-saving shield. Too, I am reminded of splattered ink at the point of impact and the panning flight of a classic aircraft -both seen in the aforeposted "El Don," in addition to owing an incalculable debt to the "300" end titles and, in a true sense, to Frank Miller.
While some frames seem partially rendered (exploding diamond? the odd alignment and spacing of the trekkers? an uninspired mouth of a cave?) others offer flashes of originality (snake-strokes from a blood sun, lettered mountaintop, inkblot blood of fleshless adversaries, a halved opponent, yetis in profile).
Creative Directors: Karin Fong, Steve Fuller
Production Company: Imaginary Forces
the design reminds me of mike mignola’s workk
Yes, this one is good
BUT
- it’s really like the 300′s one (it is sometime better, sometime very heavy)
- I don’t understand the music choice. At least, 300 had a real music…
I must admit that they feel a bit cheap somehow. The rendering, the movement, the choice of angles. Maybe they had good ideas but ended up pushed for time?
Right on! I’m a 21 year old working at a discount movie theater and enjoyed watching these end titles every time I went in to clean. It helps too that it’s a beautiful score
Again more subtle than bold, more elegant than in your face, great music, a very stylish choice.