A hovering perspective, hypnotic in its descent. Union Square bustles. Through the first transition programmable servo lens engineered for this very shot, we hone in on a thousand little theaters settling on a disquieting mime. Long-reaching shadows breed paranoia as the wondrous sound design is at once jazzy and dissonant, much like Harry Caul himself.
Audio commentary excerpt with Editor and Sound Mixer Walter Murch:
Title Design: Francis Ford Coppola and Walter Murch